Tag: Fiction
-

Writing Romance for Non-Romance Readers
When writing a love story for the masses, you need to get intimate with your story’s central question. If the central question is “will they get together?”, only romance fans will enjoy it.
-

Writing for Young Adult vs. New Adult
Young Adult and New Adult are similarly fast-paced and accessible, with a distinct narrative voice characterized by the personality of a book’s protagonist. But the two categories have important differences in the protagonist’s life stage, their preoccupations, and the emotional journey they experience during the story.
-

How to Write an Author Bio with No Experience
Publishers aren’t reading author bios to separate the experienced from the inexperienced. Instead, they want to know why you’re the right author for the book you’ve written. Sometimes life experience that connects to your book’s subject matter is a stronger hook.
-

Finding and Using Theme as an Author—With Examples
If your story isn’t quite pulling together—if it’s unfocused or isn’t connecting emotionally with the reader—it might be suffering from the absence of a clear theme. Theme is the heart of a narrative. It’s the thing you want a reader to take away from the experience of reading your book.
-

How to Know Your Novel is Ready for a Substantive or Developmental Editor
You’ve written a manuscript for a novel. You’re eager to plunge ahead and get an editor’s feedback…but are you ready for that step? If this is your unrevised first draft, the answer will usually be no. Almost every author needs to revise and rewrite their work extensively before the shape of their novel is fully…
-

How Do You Know if Your Fiction Book Idea is Good?
How do you know you can turn your novel idea into a book that people will want to read, or that publishers will want to buy? To answer that, you need to consider your audience’s needs, the conventions of your genre, and the preoccupations of society today.
-

Writing Interesting Secondary Characters who Move Your Story Forward
Do your secondary characters fall flat? Or are they threatening to steal the story from your protagonist? Both are common problems that can be addressed by asking yourself this question: How do my secondary characters relate to my protagonist?
-

Uncommon Tips for Self-Editing Your Book
In this post I’m sharing specialized skills for polishing your manuscript that most people won’t learn unless they train to be a copyeditor. Even when you are going to be working with a professional editor, self-editing is an important step so that your work is as clean as you can make it, leaving the editor…
-

What A Literary Agent Wants Writers to Know
I asked a literary agent to sit down for an interview—an anonymous one, so they could speak with full frankness: How do you impress a literary agent? What are they really looking for in a query? In a manuscript? What factors make them decide to take an author on? What red flags scream “unprofessional”?
-

What it’s Like to Work with a Professional Book Editor
So you’re considering having your manuscript edited, but it’s a daunting decision to make. I know I can’t fully erase the anxiety that goes with handing your book over to someone else, but I hope that I can ease it by giving you a detailed look at the process.
